The true landscapes are those that we ourselves create since, being their gods, we see them as they truly are, which is however we created them.
Fernando Pessoa
victorian lava bracelet
A mid-nineteenth century lava bracelet, composed of elongated links in natural lava stone intiricately carved with various foliate and naturalistic motifs including grape vines and laurel leaves, mounted in gold with crimped collets, 6.75 inches, 86 grams, circa 1840.
Lava jewelry embodies a unique fusion of nature's raw beauty and artistic craftsmanship. Emerging in the late 18th century and gaining popularity during the Victorian era, lava jewelry utilized volcanic lava rock sourced primarily from Mount Vesuvius in Italy. Artisans skillfully carved this lava into intricate cameos, beads, and other ornamental forms, harnessing its porous yet durable nature. The jewelry often featured classical motifs like mythological figures, Roman ruins, or botanical designs, intricately etched or sculpted into the dark, earthy canvas of the lava. Admired for its contrast between the organic, matte texture of the stone and the detailed carvings, lava jewelry captivated the fashionable elite of the time. The trend peaked during the Grand Tour period when travelers sought souvenirs from their journeys, making lava jewelry a cherished memento of cultural exploration. Its enduring appeal lies in the harmonious blend of geological wonder and artistic expression, preserving a tangible connection to both ancient landscapes and the artistic sensibilities of past eras.